“In many ways,a love letter to classic rock ‘n’ roll based pop” -Shindig! Magazine
CD-R, Digital Download
Released September 30, 2016 on Dippy (DR245).
Roger Houdaille: Guitars, Bass, Vocals, Keys
Michelle Grand: Vocals
Fernando Perdomo: Drums
except drums on “Father Goose” by Emmanuel Canete
The seventh full-length release from Florida’s Ex Norwegian reminds us very much of early recordings from the band. On this album, the band is the duo of Roger Houdaille and Michelle Grand along with assistance from co-producer Emmanuel Canete (The Velocity Gospel) and drummer Fernando Perdomo (who is also a solo recording artist). We absolutely love the more stripped down sound of these tunes. After all, when the songs are this good…that’s really all that matters. Thinking back about it, there’s a similarity that has probably always existed…but we never put our thumb on it until now. In many ways, there’s a striking audio resemblance between Ex Norwegian and Mitch Easter (Let’s Active). And the similarities are particularly evident on Glazer/Hazerr. We love the fact that the tracks on this album are driven mainly by electric guitars. The simple and direct overall sound works wonderfully here, as it makes it all the more obvious how cool the vocals and lyrics are. Ten captivating tracks that will stand up to hundreds of repeated spins. Our initial favorites include “Life,” “Ice,” “Sensation,” “Modern Art Brigade,” “Aruba Morn,” and “Song of Many.” Recommended. TOP PICK.
The RingMaster Review
There is always a sense of anticipation and indeed excitement when faced with a new release from US band Ex Norwegian, but in approaching their new album Pure Gold, there was a heavier sense of intrigue involved too. It was the first encounter since the serious illness which band founder Roger Houdaille suffered, the proceeds from the album going towards the emergency hospital bills incurred, and brings a collection of re-interpretations of tracks by other artists alongside original compositions from a new line-up to that which created the acclaimed and outstanding Wasted Lines album of 2014. So there was a wondering if the release was merely a filler in the future of the band but fair to say and straight away ears and imagination were alive whilst being immersed in the recognisable but ever unpredictable Ex Norwegian pop/indie rock sound, and the diversity of flavour that breeds to show it was anything but.
The creative union of Houdaille (vocals, guitars, keyboards, percussion), Giuseppe Rodriguez (vocals, bass, moog), Lucas Queiroz (vocals, guitars), Fernando Perdomo (drums, slide guitar), and Michelle Grand (vocals), with occasional guest organ prowess from Chris Price, tempt and grip ears straight away with album opener It’s A Game. A String Driven Thing song arguably made more famous by The Bay City Rollers, it quickly has feet in an eager shuffle and appetite licking lips with its catchy pop rock stroll. Ex Norwegian cast a vibrant energy to the song without losing its folkish charm whilst the great blend of vocals between Houdaille and Grand is almost flirtatious in its persuasion. There is also an Abba-esque hue to the great start to the release, though the fade-out is a touch annoying just to be picky.
Asking Too Much steps forward next and just as easily has attention enthralled with its melodic caresses and infectious persuasion as a healthy scent of Kirsty MacColl like folk pop flavours it. As the first, the song has a simplicity which is as inviting and enjoyable as the nuances and melodic enterprise the band inject into its design, the result another lively excuse to romp; a similar invitation given again by the feisty rock infused Beeside, a Tintern Abbey song. Sultry air and fuzzy breath soaks the song to great effect, whilst its psych rock character becomes increasingly compelling with each passing second and smouldering melody.
Already it is fair to say highlights are the order of the day so far, another provided straight away by the band’s impressive cover of the Melanie song Cyclone. Providing an inflamed melodic roar led by the superb tones of Grand, her harmonic expressive serenading ears as potently as the fiery side to her great voice, the track swiftly gets under the skin. It’s successor, the boisterous and show stealer On The Sidelines, is a match in such invasive potency, it playing like a feisty Martha and the Muffins but creating its own unique personality with every swinging rhythms, melodic temptation, and gripping hook. For us every Ex Norwegian album seems to have one song which especially hits the sweet spot, On The Sidelines that irresistible offering within Pure Gold.
A new wave essence fuels the following Other Half, a touch of Graham Parker to the song lighting up ears with a nostalgic bluesy air whilst the Paul McCartney track Keep Under Cover is given a virulent tonic of adventurous infectiousness and quite simply a tenacious fresh breath. Both tracks again leave body and emotions smiling and greedy for more, the album’s title track eager to satisfy with its mix of dark funky basslines, surf harmonies, and romancing melodic seduction. There is a less dramatic feel to the song compared to other tracks but with keys an emotive haze around the contagious lure of the bass and the lacing of spicy blues guitar, it is a robustly catchy proposal very easy to get fully involved with.
A fine take on the Jimmy Campbell song Close My Case And Move On comes next, Ex Norwegian accentuating its emotive heart and intimacy with a sturdier frame and tangy country rock colouring. A fascinating canter of a song with an element of pleasing discord to its nature too, it is maybe not as immediately impacting in comparison to the more boisterous approaches of other tracks within the album, but it matches all in persuasion before Shadow Ships and a version of Tell Me Your Plans by The Shirts brings things to an enjoyable close. The first of the pair merges Americana with sixties pop vibrancy, creating a richly satisfying if not fevered incitement; Tell Me Your Plans providing that with its again sixties hued interpretation of a great power pop offering.
From start to finish Pure Gold is a thoroughly engaging and highly enjoyable romp. It might not quite match the triumphant majesty of the band’s last album yet it is a different kind of proposition. For pleasure though, it is a rivalling success and reason enough to suggest Ex Norwegian is one of our brightest pop rock bands.
Broken Hearted Toy
About a year ago, Ex Norwegian released Pure Gold, a masterpiece jumble of originals and cover versions that tapped into power pop, psychedelia, and indie rock. The Miami-based band’s latest effort Glazer/Hazerr isn’t quite as brilliant as its predecessor, but does succeed using a similarly eclectic blueprint. Singer-guitarist Roger Houdaille sets his unique observations to infectious melodies, and once again crafts some of rock’s most dynamic coed vocals with singer Michelle Grand.
“Father Goose” is a silly fable about birds flying without wings, and “Ice,” another one of Houdaille and Grand’s enticing duets, is a basic but effective garage rock love song. “Life,” which offers some timely advice about overcoming obstacles and disappointments, sports a harder-edged arrangement. “Pocket Dancing” sounds like a show tune, while “Aruba Moon” has a slow, majestic feel reminiscent of 1970s classic rock.
“Modern Art Brigade” delivers social satire in a very Kinks “Dedicated Follower Of Fashion” way and is backed by a fun, loping rhythm section. “Quite Contrary” follows a similar path but is more overtly psychedelic. There seems to be a definite Rubber Soul era Beatles influence on “Reverse,” a tale of unrequited love, particularly on the psychedelic guitar playing. On “Song Of Many,” Ex Norwegian creates a pure power gem, using a mix of acoustic and electric guitars, intertwined vocals, and an engaging melody.
Roger Houdaille and Lucia Perez [sic] are back with a decidedly more fuzzed out garage effort on Glazer/Hazerr. The anthemic “Life” is something that would’ve fit nicely on an Outrageous Cherry LP (I still miss the Rainbow Quartz label.) The reverb drenched “Reverse” is another highlight of this 60’s influenced album. Houdaille’s echoing vocals harken back to the classic era of melodic song writing on the simple riff driven gems “Sensation” and “Modern Art Brigade.” Perez [sic] gives a spirited vocal solo on “Father Goose” that sounds like a lost Jefferson Airplane single. While it doesn’t exactly break new ground, this is a good album and will fit nicely in your retro pop collection.